Conclave
Directed by Edward Berger
★★★★½
03_4230_C_TP_00004_R
(L to R) Ralph Fiennes as Cardinal Lawrence and Stanley Tucci as Cardinal Bellini in director Edward Berger's CONCLAVE, a Focus Features release.
Credit: Courtesy of Focus Features. © 2024 All Rights Reserved.
In Conclave, director Edward Berger crafts a masterful political thriller that unfolds within the Vatican's hallowed walls, blending the grandeur of faith with the suspense of power plays and secrets. Following the death of the Pope, Cardinal Lawrence (Ralph Fiennes) is thrust into the center of a high-stakes election to determine the next leader of the Catholic Church. However, as the conclave begins, Lawrence stumbles upon hidden truths about the deceased Pope that could not only derail the election but shake the very foundations of the Church itself.
While the premise may evoke comparisons to The Two Popes or other ecclesiastical dramas, Conclave strikes a wholly different tone—imagine an elevated Shonda Rhimes narrative of twists and intrigue. This is a film that surprises at every turn, embracing its suspenseful plot with intelligence and flair.
Ralph Fiennes anchors the film with a magnetic performance, bringing a quiet intensity to Cardinal Lawrence as he navigates the political and moral labyrinth of the conclave. Fiennes’ portrayal is nuanced, allowing the audience to see the events unfold through his character’s eyes while maintaining an air of mystery about his own motivations. Stanley Tucci, a dependable scene-stealer, delivers yet another charismatic turn, while the ensemble cast, representing the Vatican’s most influential cardinals, is uniformly excellent. As is Isabella Rossellini, as a no-nonsense nun, who portrays consistent depth and secrecy.
The film’s production values are nothing short of exquisite. Cinematographer Stéphane Fontaine captures the hushed beauty of the Sistine Chapel and the austere grandeur of Vatican City, enhancing the story’s gravitas. The production design is richly detailed, immersing viewers in the ritualistic world of the conclave, from the scarlet robes of the cardinals to the intricate ceremonies that guide the election process.
Yet, it’s the screenplay and Berger’s direction that truly elevate Conclave into something extraordinary. The script masterfully balances reverence with irreverence, tackling serious themes like institutional power, faith, and morality while allowing space for sharp dialogue and moments of unexpected levity. Berger’s pacing is impeccable, keeping the tension taut throughout the film’s runtime. The story’s labyrinthine twists and revelations are unveiled with precision, ensuring audiences remain riveted.
What makes Conclave particularly striking is its tonal dexterity. It feels urgent and contemporary, with echoes of current global power struggles, but it also embraces a campy theatricality that injects the film with a surprising sense of fun. The juxtaposition of solemn ecclesiastical rituals with slyly subversive storytelling makes for a wholly unique viewing experience.
And then there’s the ending. Without spoiling too much, Conclave culminates in a jaw-dropping twist that will leave audiences reeling, questioning everything they’ve just seen. It’s bold, audacious, and utterly satisfying—one of those rare cinematic moments that dares to take risks and sticks the landing.
Conclave is a gripping, sophisticated thriller that defies expectations at every turn. With its exceptional performances, stunning visuals, and a screenplay that keeps you guessing, it’s a film that lingers long after the credits roll. Whether you’re a fan of intricate dramas or just love a good twist, Conclave is not to be missed.
